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Coming Up

Fantastic Mr.Fox

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Friday 27th April - Sunday 29th April 2018
Get Tickets HERE
Belvedere College is delighted to bring you Elements production of Roald Dahl's Fantastic Mr Fox in the O'Reilly Theatre Friday 27th, Saturday 28th and Sunday 29th April. 


The Friday night show will commence at 7.30pm while Saturday and Sunday shows will begin at 3pm. 


International Literature Festival:

Oliver Jeffers

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Tuesday 22nd May 2018 @ 7pm
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€12 / €10 (12+)
Explore what makes the world and how we live in it through Oliver Jeffers’ eyes. His new book Here We Are: Notes for Living on Planet Earth journeys around our planet introducing land and sky, space and time, animals and humans with beautifully detailed images, created with his trademark wit and intelligence. His work has been exhibited internationally. His picture books have sold over 10 million copies, been translated into 40 languages and won multiple awards. Working in collaboration with Studio AKA, Lost and Found was developed into an animated short film that won a BAFTA for Best Animated Short Film.


Presented in association with Tall Tales, however this event is suitable for adults and over 12s only.

ILF: Ruby Wax

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Wednesday 23rd May 2018 @ 6pm
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She’s back! Sassy and smart U.S.-born comedy-actorwriter Ruby Wax returns to ILFDublin with her new book, How to Be Human: The Manual. Last year’s show Frazzled was a tour of the mind and how to use it, not lose it. As engaging a champion of mental health as ever, Ruby Wax is a powerful model for the destigmatisation of psychological illness. Honest, and funny, How to Be Human: The Manual is a fascinating, intriguing and informative look at bodies, brains and mindfulness.

ILF: Celebrating William Trevor: John Banville, Dermot Bolger, Roy Foster, Yiyun Li & Danielle McLaughlin

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Thursday 24th May 2018 @ 6pm
Get Tickets HERE
Award-winning writer John Banville; writer and editor of literary magazine A Public Space Yiyun Li; celebrated poet, playwright, novelist and publisher Dermot Bolger; short story writer Danielle McLaughlin and Roy Foster, leading historian and scholar of Irish literature, are among his legions of fans, and they all join ILFDublin to share their memories of William Trevor.

With live readings of his work and archive material, this very special event promises to a fitting tribute to a much-loved, much-missed writer.


IAF Talk With Bjarke Ingels

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Wednesday 2nd May 2018 @ 6.30pm
Irish Architecture Foundation & Arup
Get tickets HERE


Bjarke Ingels started BIG Bjarke Ingels Group in 2005 after co-founding PLOT Architects in 2001 and working at the Office of Metropolitan Architecture in Rotterdam, The Netherlands. Through a series of award-winning design projects and buildings, Bjarke has developed a reputation for designing buildings that are as programmatically and technically innovative as they are cost and resource conscious. Recently completed projects include the Tirpitz Museum, LEGO House, VIA 57 West and the worlds best restaurant NOMA. Alongside his architectural practice, Bjarke has taught at Harvard University, Yale University, Columbia University, and Rice University and is also an honorary professor at the Royal Academy of Arts, School of Architecture in Copenhagen.

Bjarke speaks in Dublin as part of NEWNOWNEXT, a series of public talks about NEW Ideas, regarding contemporary issues relevant NOW that can impact the NEXT generation. NEWNOWNEXT is curated by the Irish Architecture Foundation and sponsored by Arup.

NEWNOWNEXT talks are FREE events which all require booking.

Tales of Hoffmann

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Friday 14th & Saturday 15th September 2018 @ 7.30pm
Irish National Opera
Buy tickets HERE

One narrator. Drunk. The story of the women in his life. The complications of his current love and his current rival. And an evil shadow that follows him everywhere. 

Offenbach was dubbed “the Mozart of the Champs-Élysées” by Rossini. His lyrical, effervescent final opera, left unfinished at his death, with its plot of strange, outrageous loves, an ever-present evil genius, not to mention the famous Barcarolle (borrowed from an earlier work) and an aria for a wind-up mechanical doll, is a treasure-trove for an imaginative director.  

“I warn others solemnly that Offenbach's music is wicked. It is abandoned stuff: every accent in it is a snap of the fingers in the face of moral responsibility: every ripple and sparkle on its surface twits me for my teetotalism, and mocks at the early rising of which I fully intend to make a habit some day.” — George Bernard Shaw, 1889



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  • No 3
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